When I was in college I used to have an argument with one of my good friends, a future filmmaker who would not give up his allegiance to the cinema at any cost. I’d annoy him whenever I could with a simple argument: television, I’d tell him, was set to overtake the cinema as the highest form of audiovisual art, the possibility to tell long form narratives with intense character development foretelling a genre that could be as complex as the novel without losing any of the aesthetic sensibilities which the cinema has developed in its hundred year history.
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AuthorBlog posts written by CAMRA members and collaborators. Archives
May 2018
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